Benjamin Blyth : Salem's 18th-Century Limner
Nationally known, the pastel portraits of newly married John and Abigail Adams at the Massachusetts Historical Society are icons of early Federal history; yet accomplished and prolific as the artist was, Benjamin Blyth is largely unknown today, especially compared to his famous contemporary Gilbert Stuart. Other sitters painted or sketched by Blyth include the only known portraits of Dr. Ezekiel Hersey, whose bequest founded Harvard Medical School; Gen. Israel Putnam, hero of the Battle of Bunker Hill; and the family of Elias Hasket Derby, “America’s first millionaire.” Blyth is well represented in John Langdon Sibley’s multi—volume accounts of late seventeenth— and eighteenth—century Harvard graduates, which include nine Blyth portraits of subjects for whom no other image exists. He was an important, if under—recognized, contributor to the visual iconography of the era.
Benjamin Blyth was born in Salem, Massachusetts, in 1746 and was one of the best known and most successful portraitists on the North Shore from the mid-1760s through the early 1780s. While Blyth sometimes worked in oil, his preferred medium was pastel.
By: Bettina A. Norton
Hardcover: 408 pages
8.50(w) x 11.00(h) x 1.25(d)
Art historian Bettina A. Norton’s Benjamin Blyth: Salem’s 18th Century Limner in a Time of Radical Upheaval is a long overdue, definitive account of Blyth’s life and work. Included are 153 portraits (pastels, oils, miniatures and prints), more than twice the number previously known. A measure of Blyth’s talent is that a dozen had been attributed earlier to John Singleton Copley. Adding to the appeal of Benjamin Blyth, Norton’s astute assessments treat Blyth’s portraits as character studies rather than simple likenesses of the formidable figures who sat for him during this formative era of American history.
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